When circle time is not a failure…


When I was a new teacher, I struggled with Circle Time. I had a plan, I had stories, but without storytelling props, the childrenā€¦ well, they had other ideas.


Every time I sat down for Circle Time, it was chaos. Kids would climb on top of me, roll around, poke each other, or just wander off completely. Iā€™d try raising my voice. Iā€™d try clapping patterns. Iā€™d even try those ā€˜magicā€™ phrases teachers use like, ā€˜If you can hear me, touch your nose!ā€™ But nothing worked.

Not all children are listening during circle time

I watched other teachers who seemed to run their Circle Time effortlessly. Their children sat in quiet anticipation, engaged, raising their hands to speak. I felt like a failure. Why wasnā€™t it working for me?


One afternoon, exhausted and frustrated, I looked at a set of tiny finger puppets Iā€™d bought but never used. And I had an idea. What if these puppets werenā€™t just props, but part of the game?


I sat down for Circle Time, held up the puppets, and said: ā€˜These are very special. Only the best listeners will get a turn to hold them.ā€™ Suddenly, the room went quiet. Eyes locked on the puppets. The same children who had been tumbling over each other minutes before were now sitting perfectly still, waiting.


I started handing them outā€”one by oneā€”to children who were sitting and listening. Instead of trying to control the chaos, I had created a reason for them to WANT to pay attention. The puppets became a part of our routine. They were no longer just toys; they were a reward, a privilege, an interactive tool for storytelling.


By the end of the session, every child had been fully engaged. No climbing, no rolling around, no chaosā€”just a room full of focused children, eager to take part. And all it took was a handful of finger puppets.


Since this day, Iā€™ve never run Circle Time without a storytelling prop. Whether itā€™s puppets, a mystery object, or even just a funny voice, I always make sure thereā€™s something to spark curiosity before we even begin. Because kids donā€™t need to be ā€˜managedā€™ā€”they just need a reason to be captivated.


If youā€™ve ever struggled with keeping young children engaged during Circle Time, consider introducing a simple prop. It doesnā€™t have to be fancyā€”finger puppets, a stuffed animal, a small wooden figure, or even an object from nature can work wonders. The key is to make it special, something that gives children a reason to focus and participate.

Children love storytelling, they are sensory learners and they are active learners. Circle Time isnā€™t about demanding attentionā€”itā€™s about inviting it. And sometimes, all it takes is a tiny puppet to make all the difference.

What tricks have you used to keep Circle Time engaging? Share your experiences in the commentsā€”Iā€™d love to hear them!

Hickory Dickory Dock: what children can learn from nursery rhymes?

Did you know that a simple nursery rhyme can offer significant learning opportunities and extensions? Take Hickory Dickory Dock as an example. Beyond just a catchy tune, this rhyme can support language development, enhance numeracy skills, and even improve fine motor abilities through associated activities.

Here is an example of using puppets to tell the story to children. They can retell the story later.

Nursery rhymes like Hickory Dickory Dock offer children multiple learning benefits. They help children develop language and cognitive skills, as well as introduce them to basic mathematical and sequencing concepts.

For example,

  1. : Nursery rhymes use rhythm and repetition, which are excellent for helping children focus on different sounds in language. This helps develop their phonemic awareness, an essential skill for early reading. Activities like Hickory Dickory Dock with puppets can make this even more engaging.
  2. Repeating rhymes exposes children to new vocabulary. For example, Hickory Dickory Dock introduces words like ā€œclockā€ and ā€œdock,ā€ expanding their lexicon in a fun context. Interactive activities with rhymes can strengthen word recognition as children associate words with images and actions. I use puppets to tell stories for a reason, especially when doing Hickory Dickory Dock with puppets.
  3. Many nursery rhymes involve numbers, allowing children to practice counting through play. Hickory Dickory Dock, in particular, uses the numbers on a clock, which can help children learn number order and basic time-telling skills. Incorporating puppets can add another layer of interaction.
  4. Activities associated with nursery rhymes, such as gluing pictures in sequence or creating simple crafts, help develop fine motor skills. Doing Hickory Dickory Dock with puppets can enhance this experience.
  5. The repetitive nature of nursery rhymes makes them easy to remember, which strengthens childrenā€™s ability to recall sequences and narratives. This can improve their memory skills as they practice reciting the rhyme and remembering the order of events.

In this video, I talk about a lot of extensions you can do with this story, including Hickory Dickory Dock with puppets.

Nursery rhymes are more than catchy tunes

For further insights, check out Storykateā€™s videos, which explore engaging ways to integrate nursery rhymes into early childhood learning. You might find activities specifically tailored to enhance the learning experience with rhymes like Hickory Dickory Dock.

Hickory, dickory, dock.
The mouse ran up the clock.
The clock struck one,
The mouse ran down,
Hickory, dickory, dock.

Hickory, dickory, dock.
The mouse ran up the clock.
The clock struck two,
The mouse said ooohhh,
Hickory, dickory, dock.

Hickory, dickory, dock.
The mouse ran up the clock.
The clock struck three
The mouse said weeee
Hickory, dickory, dock.

Consider translating nursery rhyme and learning it in one of your community languages for a child who just moved to English - speaking country. Here is a russian version.

RUSSIAN
Š’Ń‹ŃˆŠ»Šø Š¼Ń‹ŃˆŠø ŠŗŠ°Šŗ-тŠ¾ рŠ°Š·
ŠŸŠ¾ŃŠ¼Š¾Ń‚Ń€ŠµŃ‚ŃŒ ŠŗŠ¾Ń‚Š¾Ń€Ń‹Š¹ чŠ°Ń.
Š Š°Š·-Š“Š²Š°-трŠø-чŠµŃ‚Ń‹Ń€Šµ,
ŠœŃ‹ŃˆŠø Š“ёрŠ½ŃƒŠ»Šø Š·Š° Š³ŠøрŠø.
Š¢ŃƒŃ‚ рŠ°Š·Š“Š°Š»ŃŃ стрŠ°ŃˆŠ½Ń‹Š¹ Š·Š²Š¾Š½ ā€”
Š Š°Š·Š±ŠµŠ¶Š°Š»Šøсь Š¼Ń‹ŃˆŠø Š²Š¾Š½.


Here is my version of it in both languagesšŸ‘‡šŸ»

https://storykate.com.au/nursery-rhymes-for-multilingual-learning/

Get this wonderful set from Zac Home

Storykate FIRST online Course is OUT!!!

I am super excited to let my community know that I have created my first ONLINE course. And guess what?! It is on puppetry. If it is a topic you find interesting, especially teaching with puppets, check this out. I promise you will learn a lot from this course, as this is the result of my 20 years of practice of telling stories and teaching young children, inspiring pre-service educators.

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Julia Kristeva: Play as a place for belonging

Julia Kristeva, a thinker from Bulgaria and France, explored how people understand themselves and others, especially through language, culture, and emotions.

Julia Kristeva is a Bulgarian-French philosopher, literary critic, psychoanalyst, and feminist theorist, born on June 24, 1941, in Sliven, Bulgaria. She is renowned for her interdisciplinary approach, which integrates elements from linguistics, literary theory, psychoanalysis, and feminist theory. As early childhood professionals, we can learn a thing or two from this prominent philosopher.

One big idea she had was called “abjection.” It’s about how we react when we come across things that challenge our sense of who we are. These things could be gross or scary, like bodily fluids or decay. Abjection is like a feeling of discomfort or disgust we get when faced with these things. Kristeva explored this concept in her book “Powers of Horror: An Essay on Abjection” (1980). This concept examines how individuals react to experiences that threaten their sense of identity, such as encounters with bodily fluids, decay, or the maternal body. Abjection represents the space where the boundaries between the self and the other become blurred, leading to feelings of horror, disgust, and fascination. By recognising the role of abjection in shaping perceptions of identity and difference, early childhood educators can foster inclusive practices that value and celebrate diversity. Understanding how abjection operates can help educators create environments that validate children’s experiences and promote empathy and understanding among peers. It is a very significant concept for inclusion.

In the early years of life, Kristeva’s ideas can help us understand children’s emotions. They can also guide us in making classrooms where every child feels included and valued. Kristeva also talked about “concepts subjects-in-process.” This means that people are always changing and growing based on their experiences. This is certainly applicable to our understanding of children, childhood and even play.

She also talked about “the foreigner,” a person who is different from us, but this can also be described as a lens for reflection. By learning from people who are different, we can learn more about ourselves and our world.

Kristeva’s ideas remind us to be open-minded, to understand our emotions, to embrace diversity, and to create spaces where children feel like they belong. I think it promotes reflective teaching as well. What do you think?

DYI Felt Board

Today, we’re diving into the wonderful world of felt boards and exploring how they can transform storytelling for young children. Felt boards are engaging, versatile tools that can spark creativity, boost learning, and make storytelling come alive!

Making your felt board

Making a felt board is a breeze. You’ll need some felt or flannel fabric, a picture frame, and some staples or glue. Simply cut the felt to fit the frame size, secure it in place, and voila ā€“ your felt board is ready for storytelling. I buy felt in Spotlight, but you can also get some cheaper offcuts in the opportunity shops – as second-hand stores are called in Australia.

For an extra touch, use markers, stickers, or construction paper to create fun felt cutouts of various shapes and characters. You can also download cool stories on Etsy.

Tales with Felt

Now comes the magic part: using your felt board to weave captivating stories. Here’s how:

  • Introduce your felt characters and set the scene by placing them on the board.
  • As your story unfolds, move the felt cutouts around to illustrate the action. This visual element keeps young minds engaged and following along.
  • Felt boards are fantastic for incorporating songs and fingerplays into your storytelling sessions.

Storytime Example: Five Little Speckled Frogs

Let’s use the classic song “Five Little Speckled Frogs” to illustrate the storytelling magic of felt boards. Here are the felt cutouts you’ll need:

  • A tree
  • Leaves
  • Bushes
  • Rocks
  • Mushrooms
  • Five frogs (of course!)

Sing the first verse and place all five frogs on the felt board. As you sing about the frogs jumping in the pool, one by one, remove the corresponding frog cutouts. When all the frogs have made their splash, sing the final verse.

The Power of Felt Board Storytelling

Felt boards are important tools of early childhood education for a reason.

  • They grab children’s attention and keep them actively involved in the story.
  • Felt boards can be used to teach children about counting, colours, shapes, and letters in a fun and interactive way.
  • They foster storytelling and language development, allowing children to explore their creativity and express themselves.
  • Felt boards are portable and easy to make, perfect for teachers, parents, and caregivers to use at home, in classrooms, or anywhere! I always have a felt board when I teach the class.

Happy crafting and storytelling,