Mosaic Pegbord Magic: A Mathematical Treasure Trove

“This isn’t just a gameโ€”it’s a real treasure chest of geometry, combinatorics, logic, and pattern recognition tasks,” says the author of a hugely popular child development book.

There are quite a few varieties of mosaics availableโ€”plastic, magnetic, ones with letters, and ones with little pegs. For mathematical purposes, a rectangular mosaic board with colourful peg buttons works best. This way, we develop not only spatial thinking and concentration, but also fine motor skills. Ideally, you should have several boards (it’s convenient for working with multiple children, and you can also “connect” boards to each other). The larger the pegs, the better. As children grow, you can reduce their size.

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Following a Pattern: Pegboard

The first task is to create a figure following a pattern. Usually, these come with the mosaic sets, but if you don’t have any, you can make up patterns yourself by drawing them with markers.

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Symmetry

Mathematician Alexander Zvonkin recommends starting with the principle “from simple to complex.” First, lay out an axis on the board with pegs of one colourโ€”a vertical line running down the middle of the field. This line will be the “mirror,” and different figures will be reflected in this mirror.

Build a simple figure on one sideโ€”a square, rectangleโ€”and ask the child to repeat it on the other side of the “mirror.” You can vary the colour, size, and position of the figures. To check how accurately the children managed to mirror your figure, take a real mirror. If it’s the same, everything’s fine. If not, let’s try to fix it.

In the next session, you can change the axis position: first, make it horizontal, then diagonal. The figures you create can become progressively more complex. Make multicoloured diamonds, create butterflies. Check with the mirror. Symmetry, according to Zvonkin, is a rich topicโ€”definitely search online for photos of snowflakes and other examples of symmetry in nature, or look in H. Weyl’s book “Symmetry.”

Learning to Write

According to Maria Montessori’s definition, reading is the transformation of sounds into symbols. That’s exactly what we’ll do with the mosaic. We’ll compose keywords, and then move on to sentences. This is especially useful when learning a foreign language.

I give the child cards with so-called sight words or basic words, and they copy them for me on the mosaic. The spelling rules pass through the “hand.”


Why This Works:

The mosaic board is a brilliant multisensory tool. Children aren’t just seeing letters and patternsโ€”they’re building them, peg by peg. Each placement requires precision, planning, and physical engagement. When a four-year-old recreates the word “the” or “cat” with colourful pegs, they’re encoding that word into muscle memory. The tactile experience of pushing each peg into place creates a stronger neural pathway than simply writing with a pencil.

And for symmetry work? There’s something magical about the moment a child places that final peg and realises their butterfly’s wings are perfectly balanced. Mathematics becomes visible, tangible, and deeply satisfying.

Sample learning plan in early childhood: how I plan activity in early childhood education and care?

Learning Experience Plan: Exploring Little Red Riding Hood through Music

Rationale: start with why!

Children showed a strong interest in playing with the Little Red Riding Hood story basket, engaging enthusiastically with the characters and storyline. To build on this interest, I decided to extend the play experience with an intentional teaching approach, incorporating elements of literacy and performing arts. This approach is based on strategies from The Literacy Toolkit provided by the Victorian Department of Education and Training, which supports educators in fostering emergent literacy skills through engaging, meaningful experiences. Access The Literacy Toolkit here. This could be part of a sample learning plan for early childhood development.

A soundscape is an acoustic environment or an arrangement of sounds that can be either naturally occurring or intentionally created. It involves all the sounds in a particular location, which together create a distinct atmosphere or โ€œlandscapeโ€ of sound. Soundscapes can include natural sounds like birdsong, rain, or rustling leaves, as well as human-made sounds such as traffic, voices, or music. In the context of art and education, soundscapes are often used to engage listeners in immersive experiences that evoke certain moods, tell stories, or provide sensory stimulation. For example, educators may use soundscapes in early childhood settings to help children explore their auditory senses, connect with nature, or create calming environments for activities like storytelling or relaxation.

Experience plan “Little Red Riding Hood” soundscape

Experience TitleExploring Little Red Riding Hood through Music
Experience OverviewChildren will analyse the meanings of various aspects of the story *Little Red Riding Hood* and create a soundscape using musical instruments to accompany it. The experience is differentiated based on individual skill levels, suitable for a sample early childhood learning plan.
Learning Focus– Emergent literacy and language for ages 36-60 months
– Making meaning and expressing ideas through texts
– Performing arts and creative expression  
Links to the EYLF**Outcome 5: Communication**
– Engage with and get meaning from a range of texts
– Express ideas through a variety of media, such as music, drama, and storytelling
Learning Intentions/ goals/ objectives– Develop the ability to evaluate a text
– Express ideas and understanding through music
Assessment of LearningLearning is shown when children:
– Discuss feelings and responses to the story (e.g., ‘The wolf is scary’)
– Use musical instruments to represent story elements (e.g., loud drum beats for the wolf)
Resources Needed– *Little Red Riding Hood* book or YouTube clip
– Whiteboard and marker (optional)
– Musical instruments (drums, bells, cymbals, maracas, xylophone)
Group SizeSmall (2-5 children) or medium-sized group, depending on needs
RationaleChildren showed a strong interest in playing with the *Little Red Riding Hood* story basket. To extend on this play, I decided to incorporate intentional teaching to foster emergent literacy skills, based on strategies from *The Literacy Toolkit* provided by the Victorian Department of Education and Training. [Access The Literacy Toolkit here.](https://www.education.vic.gov.au/school/teachers/teachingresources/discipline/english/literacy/Pages/default.aspx) This aligns with methods used in many sample learning plans for early childhood education.
Experience Process (What will educator do)Experience Process (What will the educator do)
Soundscape Creation1. **Introduce Instruments**: Let children explore different instruments, discussing which sounds relate to characters or parts of the story.
2. **Assign Sounds**: Work with children to assign sounds to parts of the story (e.g., ‘happy’ sounds for Little Red Riding Hood in the forest).
3. **Play the Soundscape**: Recreate the story using instruments, inviting children to explain their sound choices. This is a key component of a sample learning plan tailored for early childhood.
What do you think about this learning experience? Does it sound like fun?

If you are learning to write learning experience plans, check out this video